We had the opportunity to put Gayland in front of an accomplished Broadway director in early 2017. He provided us with detailed and very valuable feedback. So we’ve taken most of the past year to take another look at Gayland, with an eye to focussing more on the story and dialing down some of the “travelog” elements.

That turned into a gargantuan task, which included taking out two major characters and rewriting most of the first act. Whew! The new Gayland 8.0 has a much cleaner storyline and an entirely new technique for the scenes set on The Willow Show. We’re now investigating our next steps.